Couldn’t let the occasion of Jonghyun’s birthday (4.8.1990-12.18.2017) pass, and this year was a special one because April 7 (the 8th in South Korea) was the evening of a pink Super Moon.
Shawol associate Jonghyun with the Super Moon because he wrote the song “Selene 6.23” about the beautiful unreachable Super Moon he saw that evening in 2013.
I made a couple short music videos to celebrate Jonghyun’s life and music. The first one for a general audience is intended to provide a moment of calm, beauty and relaxation in these stressful times of self-isolation and worries about Covid-19.
I used his song, “Blinking Games,” as a backdrop to a travelog of Hawaii scenery, plus one from Portugal. I originally wanted to use my footage from Spain and Portugal, but for some reason while I was there I uncharacteristically shot video in vertical formats that don’t transfer well to YouTube!
The second video for his fans has the same song plus imagery of Jonghyun over the years. The song “Blinking Game” is from his “The Collection: Story Op. 2.” He created Op. 1 and 2 specifically to comfort people after hearing from so many of the walking wounded who called in to his late-night radio show “Blue Night” to commiserate, knowing that he was a kindred, compassionate spirit who suffered from depression.
I credit these two albums with curing my insomnia after my husband died, because Jonghyun’s voice was so soothing. Before discovering his music, I tried to listen to meditation apps, some an hour long. After the hour I would start up another hour, getting more worked up and stressed out as 4 a.m. became 5 a.m. and I knew I had to wake in two or three hours. It was the stress that led to even greater inability to sleep.
When I played Jonghyun’s music, I felt awash in calm and because his voice is so transportive and riveting, I could focus on it completely, quieting my own circular thoughts. I’d fall asleep in about 20 minutes, never making it to the end of the disc.
If you look up the English translation for “Blinking Game,” it probably won’t make much sense because it’s based on Korean idiom meaning “to not hurt, even if you place it in your eyes,” meaning to love someone so much that to draw that person so close as to have him/her in your eye doesn’t hurt, whereas even the tiniest speck of dust would hurt. There really isn’t an English equivalent. The closest might be “apple of my eye.”
I hope you enjoy the snippet of song and the videos. The whole song can be heard here:
I requested this “Produce X 101” concept evaluation dance last summer, while the K-pop survival show was airing, and now that it came up I don’t even know why I requested it.
Two of the trainees got seriously injured from this dance and one ended up dropping out of the competition because of it.
“Produce” became the 3rd biggest Kpop scandal in a year of scandals because of vote-rigging that went into whittling 101 trainees and formerly debuted artists down to the 11 who formed the group X1. Sadly, I was a big fan of the group and about half the members, but X1 was forced to disband in January after only 2 months of activity due to the scandal which ended up with several managers from top entertainment agencies going to jail.
This vid has the “Move” trainee team in practice before the trainers, and their TV staging. You can see the harshness of the trainee system in that they’re wearing their ranking numbers from 1 to 101, so everyone is aware of their standing at all times, same as within their companies.
Maybe it’s too early for an update on the X1 members, but here is what has ensued in the aftermath of their disbandment:
Kim Yo Han: X1’s center will be starring as the lead of KBS 2TV’s series drama ‘School 2020,’ which will air in August. “School 2020” is the eighth drama in the “School” series. Yo Han will play Kim Tae Jin, a promising taekwondo athlete who suffers a severe ankle injury and quits taekwondo and transfers to a vocational high school. The drama just started filming. He doesn’t have a viable group to return to, but I think he wants to be a movie star anyway and X1 gave him instant name and face recognition, a big following and this initial TV offer. As a taekwondo junior champion himself, he is perfect for this role as a competent athlete who is socially awkward! He won’t even have to act!
Han Seung Woo: Has rejoined his former group Victon, and their comeback appears to be their strongest ever! Victon just made its first full group win on “The Show” with their latest song, “Howling.” Han Seung and fellow Victon member Choi Byung-chan appeared on “Produce” because prior to their appearance on the show, Victon hadn’t been very successful.
Kim Woo-seok: He has not rejoined his group UP10tion, but is working on music for a solo project, following in the footsteps of groupmate Lee Jin-hyuk, who was rigged out of X1 but because of it has had more success with the jumpstart on a solo career than all who won a place within X1. Woo-seok can be followed on IG @woo.ddadda.
Song Hyeong-jun and Kang Min-hee: Two of X1’s 2002 liners will debut with seven other Starship Entertainment labelmates in a group named Cravity. Starship began introducing short promo films March 15. The lineup includes their fellow “PDX101” contestants Ham Won-jin and Koo Jung-mo. Others in the lineup are Seo Woo-bin, Allen Ma, Park Se-rim, Kim Tae-young and Ahn Sung-min.
Nam Do-hyon and Lee Han-gyul: The MBK Entertainment labelmates, whose strengths in X1 were rap and dance, respectively, teamed up to perform as Pocketdolz. This unlikely duo have been the most active in their post X1 activities, starting a vLive channel, release a new song, hosting a fan meeting and making the rounds of the TV music shows.
Lee Eun-Sang: I expected him to rejoin the Brand New Music labelmates he entered the PDX101 competition with, who, during his promotions with X1 debuted as BDC (Boys da Capo). But Brand New has him promoting solo with vLives, and most recently, a starring role in As One’s music video for the song “February 29th,” which he also covered. He also released a dance video set to Camila Cabello and Shawn Mendes’ “Señorita,” which he covered as one of the last releases for X1. I am really hoping for some new music by him.
Cha Jun-ho: He has returned to his agency, Woollim, implicated in the “PDX101” scandal, and has reported he is in training and awaiting debut. The most likely lineup would include fellow trainees Kim Dong Yun, and fellow “PDX101” participants Joo Chang-uk, Lee Hyeop and Hwang Yun-seong.
Son Dong-Pyo: Like Do-hyon, he is enrolled at the exclusive Hanlim Arts School that accepts only about 40 students per year for its arts-focused education curriculum. He is part of a pre-debut boy group lineup dubbed DSP N. Other members are Lee Jun-hyuk, Song Jae-won, Lee Sang-min and Park Si-young.
Cho Seung-youn: The songwriter who also known by the names WOODZ and Luizy is continuing to write songs and otherwise seems to be in no rush to return to the stage. I think all X1 fans, called One-Its, are holding out hopes that he will be able to form an X1 subunit along with other X1 members not part of the labels able to form bigger groups. The lineup would most likely also include Kim Yo-Han, Lee Eun-sang, Nam Do-hyon, Lee Han-gyul and possibly Kim Woo-seok. It would be great if it could include some of the other Top 20 who fans wanted to debut as BY9 (Be Your Nine).
On March 7, 2020, we learned SB19’s “Alab (Burning)” in our beginner K-pop dance class. It was an outside pick emailed in by a non-student who never showed up for the dance she requested.
I say outside, because I don’t consider them to be K-pop at all but Pinoy pop. This is a Filipino group trained in K-style by a Korean entertainment company, who perform in English and Tagalog, promoting in the Philippines. What I find with these sort of groups—like the Z-Girls and Z-Boys—is that they are Kpop lite at best. Their music and vocal style is closer to American than Korean pop and their choreography doesn’t come close to the difficulty level of Korean groups.
They are, however, an extension of the K-pop industry overseas, insurance that after K-pop’s heyday passes—after all, music moves in cycles and it may one day go the way of J-pop—there will be regional stars created around the globe in countries like the Philippines, Thailand, China and India, who continue to enrich the Korean entertainment companies that invested in forming these groups.
I didn’t like the song and didn’t really want to learn the dance, but it gave me an opening to talk about one of the big controversies among Western fans of K-pop, which is, what makes K-pop K-pop?
For the Korean entertainment companies, it has become easier in recent years to fill their artist ranks with talented youths from China, Japan and Thailand, who—unlike their countrymen—don’t have to enlist and disappear into military for two years, throwing groups into long hiatuses from which few have been able to recover.
The clash of cultures hasn’t always been easy. EXO lost three of its four Chinese members who sued to be released from their “slave” contracts, citing long hours, second-class citizen treatment compared to their Korean counterparts, and health issues as a result of intense labor with little time for rest. BlackPink’s Lisa often receives hate, in part, due to her part-Thai ancestry.
This specter of having fewer Koreans in K-pop was a big debate in our University of Hawaii K-pop class last summer. As minorities who don’t like to see appropriation of culture, the class was upset when our professor showed us videos of an American Caucasian male group, EXP Edition, trying to perform as K-pop artists in Korea. For us, their lack of talent added to the cringe factor, but Koreans who watched them perform liked them because they were flattered that white people would want to emulate them!
You can expect this debate to continue as the globalization of K-pop has inevitably given rise to people of every nation who want to follow in their tracks. Right now, it feels wrong, but as they say in this video, you can expect it to happen as each music form evolves. White men in rap weren’t accepted until Eminem came along, and now of course, every Korean idol group has its rappers as well.
On Feb. 13, 2020, took a second stab at Red Velvet’s “Psycho.” We had started with the lead-in to the chorus on Jan. 9, but didn’t get to complete the chorus and ran out of time to shoot a class video after that session.
I kind of felt I did better the last time because my head was in a better place. This time, we were supposed to learn Everglow’s “Dun Dun,” but our teacher forgot she had taught all she was going to teach of that dance the previous week, when I couldn’t attend.
So I showed up dressed for “Dun Dun,” and as a beginning dancer, switching gears messed with my head a little. As I mentioned in my last post, I feel that costume contributes to my confidence level. I suppose there’s a similar kind of psychology at play when athletes don’t want to enter the field/arena without their “lucky” underwear, socks or whatever ritual they perform to get themselves psyched up for a game/match.
The she took requests and I wanted to finish up BTS’s “Black Swan” but the kids wanted to do “Psycho” so I was outvoted. Oh well.
The costuming for “Dun Dun” and “Psycho” are totally different. “Dun Dun” is a more powerful dance, and “Psycho” has a femme fatale quality, so it just felt wrong dancing “Psycho” in sportswear!
I love the Victorian, romantic, bewitching, dark and unbalanced vibe of Red Velvet’s music video, wardrobe and makeup, and just to get a little of that essence, I showed up to the first class with black lipcolor.
This time I didn’t have the clothes or makeup, so it just didn’t feel right and I couldn’t get into it.
For a student dancer, watching the choreography of BTS’s “On” Kinetic Manifesto Film was really intimidating to behold, but the more I watched the video, the more I wanted to try it because it looked so dynamic and fun.
I talked about the young choreographer from Hawaii, Sienna Lalau in my last post, as well as my wish that she would consider what their bodies go through and how much these dances hurt. And I’m not talking about me. There are videos that show the chronic pain Jimin lives with, that has his doctor feeling sorry for him.
👁 Learn to dance like BTS in the privacy of your home:
It didn’t help that I watched a tutorial by cover dancer Brian Li, and you can see how he feels so tired midway through, just walking through the steps, and doing little dancing at 100 percent capacity. If he was tired, I was afraid of what I would feel. I already hurt a lot after dancing “Black Swan,” which seemed easier, but because of their wide stance and back flexing, it was actually more taxing on back and thigh muscles. Even so, in a recent video I posted, you could see I look like I’m putting only 25 percent of the effort they put in. In dance, to look like you’re exerting energy, you really have to push yourself 300 percent (as if there’s more than 100 percent effort, but you know what I mean.)
Midway through class I was seeing stars. The only other time that happened to me was when I was in in a bootcamp fitness class led by Egan Inoue, a jiu jitsu champion and mixed martial artist. Well I wanted to know what causes that phenomenon and TheNakedScientists website had two explanations both revolving around the eyes (since I didn’t bash my head) as follows:
“If you stand up too quickly you can have what’s called a “postural drop” in blood pressure. Blood comes up from your legs into your heart to get pumped around the body. When you stand up, and before your heart compensates, the return of blood drops slightly which causes the perfusion pressure to drop briefly. That causes a momentary reduction in perfusion of your retina. That slightly reduces the supply of oxygen and sugar to the retina from the blood, which causes the retina to start to fire off abnormal signals, which we experience as “sparkly” light signals; the brain is fooled into thinking you’re seeing light when it’s not there.
“Now, conversely, when you bash your head, what’s probably going on there is that because the brain is bobbing around inside your head in a fluid – the cerebrospinal fluid – and has a very soft, blancmange-like consistency, if you have a sudden interruption of movement to your head – so you hit your head very hard against the wall or pavement for instance – the brain cannons into the inside surface of your skull; it then can rebound and hit the back of your skull as well. And if you irritate the part of the brain that decodes what you’re seeing – the visual cortex which is right at the back of your head – then it’s possible that, in the same way that irritating the nerve cells in the retina by not having enough blood flow makes them fire abnormal signals which you see as stars.”
To avoid pain, this time I prepared by doing a lot of plies and tendus throughout the week and I bought a foam roller to stretch out my back muscles. I may not move that well, but at least two years into this I have learned to look at a dance and analyze its difficulty level and understand the kind of physicality it demands.
So what you see here is the class alone, the class side by side with BTS, and lastly, me juxtaposed with Jimin. Keep in mind I am old enough to be his mom!
You can see how clear their movements are in the turning and placement of palms and fingers, the definitive angles of their knees, the precise head turns, etc. There are so many little details that are overlooked by viewers looking at the big picture. The level changes is something we missed that adds to the visual flow of their dance.
Also, I appreciate the hours of practice it takes for them to move in unison, especially when considering individual stylistic differences. I’m always amused that Jimin is so extra that he has a tendency to make the line look out of sync, so he has to rein it in when dancing in a line. Otherwise, it’s OK in a live performance but really noticeable in their videos.
We shoot these videos of our classes after only 45 minutes of learning the choreography and practicing the whole routine a couple of times, so I end up flailing around and lurching from one move to the next. It would take so much more practice to get their sharp moves, especially considering the fast pace of the dance, which doesn’t leave much time to finish a move.
Like most of BTS’s dances, this one was super fun and I would definitely want to try it again. I am hoping our teacher will teach the dance break, which looks even more energetic and difficult! In that, maybe I can understand why Jimin dances through the pain. For certain people, there’s a strong desire to push limits—not for fame, glory or money—but just to know the full extent of our capabilities. You never know until you try, right?
Finally, as a student dancer, I always feel I need an external edge to boost my confidence level in class, and costume is a big part of that.
My hiphop teacher said that when she was a student she did it by tying a flannel shirt around her waist or hips to raise her awareness of the body parts and where she should be moving. She also said she wears a bold red lipstick to make her feel more sexy and powerful.
Usually I wear yoga pants, but this time I was looking for something looser in a color to match the mood of the song. When I started dancing I didn’t want to stand out in any way, so I wore the shabbiest clothes possible, but then for a year I felt bad about myself every time I saw myself in the mirror, and was a blow to my confidence level so I started dressing better, and in that gained the confidence to finally be in the class videos. I wasn’t dancing much better, but felt better about my appearance to the point where I don’t even care if my pot belly shows. Whatevs!
A shot of a 19-year-old woman from Waipahu is one of the first we see in closeup in the new BTS “On” Kinetic Manifesto Film: Come Prima” music video.
She’s Sienna Lalau, a choreographer from The Lab who now resides in L.A. and was also responsible for coming up with the whiplash choreography for BTS’s “Dionysus” and the J-Hope and Becky G collaboration “Chicken Noodle Soup.”
This time there were many more moving parts as the boys fronted an army of 30 backup dancers and the Blue Devils drum and bugle corps who created a martial vibe for the anthemic song, filling the role of a marching band that, on the recording, was performed by musicians from the UCLA Bruins marching band.
So, are you ready for another BTS takeover of the media? Every release brings a flood of reports from, not only music publications and websites, but the likes of Time and Forbes magazines, the L.A. and New York Times, the Washington Post, the U.K.’s Guardian and Telegraph, and many, many more newspapers and magazines, including many a fashion bible such as Vogue.
They already appeared on “The Today Show” on Friday morning, and this is their late-night schedule this week:
Monday, Feb. 24 “The Tonight Show with Jimmy Fallon”: The BTS Special will have them enjoying quintessential New York, from Katz’s Delicatessen, to the subways to Grand Central Terminal, where they will perform “On,” the lead song for their latest full album release, “Map of the Soul: 7.” How they managed to takeover the always-busy train station is beyond me. At 10:30 p.m. Hawaii time.
Tuesday, Feb. 25 “The Late Late Show with James Corden”: During their last appearance of the show, they recorded a carpool karaoke segment. No doubt they’ll be singing some songs off their latest release, but question is, will James be singing the Korean lyrics, or just sticking to English? At 11:30 p.m. Hawaii time.
This comeback is an important one and the number 7 is significant as a representation of the number of members, the 7th anniversary of their debut, and marking their rise from rags to international stardom. The album may also be their last as a septet because the oldest, Jin (Kim Seek-Jin) will turn 28 this year, the tail end of the mandatory age of enlistment for the South Korean military.
👁: Some background on the recording of “On”
While continuing their use of positive messaging, the album is certain to be an emotional roller coaster for ARMYs because of its autobiographical nature, recounting their story since coming together as a group, which every fan knows was not an easy road. In spite of the appearance of seeming overnight success they achieved in the west, it was not the case in South Korea where they were reviled in the underground rap scene, attacked by mainstream K-pop fans and endured so much that up until two years ago, they had considered disbanding. To this date, the average South Korean does not know who they are.
There is a lot of reference to pain and shadows that early on, they had no coping mechanism to deal with, save for their own isolated camaraderie. They have since come to accept that it was those hard times and those experiences that shaped who they are today, their message to fans being that—knowing everyone goes through hard times—you can face the worst scenarios and come out stronger if you refuse to give up.
It’s a story that resonates with millions of fans around the globe and helps to explain the group’s international stardom.
If you follow Korean culture, you’ll eventually arrive at the mukbang.
Mukbangs started out true to the meaning of the word that translates as “eating video,” based on early variety TV shows that had hosts following guests on eating adventures. They took off in South Korea because of its highly social culture. In the absence of friends or family, people found they were a comforting way to vicariously enjoy a meal with others.
These days, mukbangs have become more commonly associated with the trainwreck spectacle of watching people gorge on massive piles of food on par with competitive eaters.
Food is one of the first subjects people tend to think of when they hear the word “Korean.” When I mention K-pop, people often start making associations and talk about K-dramas and how they make them hungry because the characters are always eating. That is part of Korean branding. Its democratic government knew South Korea would never achieve power through might, so they pushed soft power, winning people over with their food, music, entertainment and culture. It worked as interest in such soft subjects has boosted South Korea’s economy through interest in its electronics, food and beauty products, its tourism industry and enrollment in Korean language schools.
K-pop stars have to continuously come up with ways to keep fans entertained and one of them is through eating segments on their live feeds, travelogs or video diaries. BlackPink’s Rosé is one of the cutest eaters, maybe because of her chipmunk cheeks. I need to watch and learn from her!
I am constantly in restaurants because I write about them for a living, so mukbangs were a natural extension of what I was already doing. Bringing them back to their original form, the intent is to introduce some of Hawaii’s new restaurants, popular and trendy places, holes-in-the-wall venues that people may miss, and high-end restaurants that some may not be able to afford but still want “to experience” through the camera lens before deciding whether or not to commit their hard-earned dollars to a firsthand visit.
My latest was a visit to Don E Don restaurant at 919 Keeaumoku St., which is best known for red pepper pork spareribs and sea salt spareribs, differing from many Korean restaurants that tend to focus on beef.
It’s a relatively small space that tends to fill up quickly at peak lunch and dinner hours, but worth checking out.
I wanted to dance BTS’s “Black Swan” choreography ever since they debuted it in the United States on James Corden’s “Late Late Show” on Jan. 28.
After putting in my request at our beginner K-pop dance class, I finally had the opportunity to learn the last chorus during a Hawaii Dance Bomb class on Feb. 10. I was hoping we could get to the end of the song but unfortunately we couldn’t. I was hoping for a follow-up class, but that looks unlikely.
We took so much time to learn just a brief segment that we ran out of time to record the dance as a class as usual. Afterward I wanted to film a reaction to the video with one of my friends in the class, and when we finished we decided to give the dance one more try and see how much of it we could remember. It’s funny how so much is forgotten the minute we walk out the door, and after no more than a half hour we struggled to remember which parts came next.
👁 We tried a little bit of the last chorus at the end of this vid:
Anyway, because BTS performed the dance barefoot, I went barefoot the whole class—which was pretty typical every time I took a modern or contemporary dance class—and continued to dance it barefoot on the concrete outside.
I was afraid it might be painful but because it is more of a modern dance piece there were no jumps that might have caused pain. A few weeks ago I tried to learn Dawn’s “Money” by myself, and even on a wood floor it became painful because of all the jumps he does.
👁 BTS “Black Swan”
Just watching the dance ahead of time, I knew it would be painful in other ways, such as trying to match their wide and low stance. The flexing of their backs made me realize it was an area I had to work on because my back is too stiff to get the arch and flow of their swanlike stretches. I spent about three days trying to stretch and flex my back without the help of an exercise ball, which I really should get. I also kept up my plies and tendus, adding squats, just to prepare for a few minutes of dance! Even though classes are an hour long, about 15 minutes is spent in warmup and socializing, and much of the time we are walking through the moves. We are only dancing at 100 percent for about 10 to 15 minutes.
Yet … a day after class my muscles were aching, from my core to back of my thighs. I mean, BTS puts a lot of rigor into the dance but I hadn’t felt pain after a dance class in a long time so I thought I had done enough prep. That just shows how grueling BTS choreography continues to be. I haven’t hurt for a long time after many of the other boy dances that call for a lot of powerful and rapid movements. When I look at the video of myself, I see I’m putting in a quarter of the energy BTS puts into their performances.
I know the millions-strong ARMY already respects and admires BTS, but if they tried their dances they would respect them even more.
Recently, former EXO member Tao (Huang Zitao), got into hot water with some BTS ARMY members when he became agitated after some girls in Iceland—who believed he was “somebody” but didn’t know for sure—asked him if he was a member of BTS.
He explained he had been in EXO, information that drew a blank.
After the girls left, he went on a rant to his cameraman, telling him to cut out that part because it was embarrassing to be mistaken for another group’s member, and how EXO was much bigger than BTS at the time he was in the group, but now all of a sudden he was assumed to be a member of BTS simply because he was Asian. It didn’t help that he is isn’t even Korean, but of Chinese descent.
👁 Tao’s encounter:
ARMY was riled by his rant, but let’s look at the situation from Tao’s point of view for a moment.
I get that there are times when people say you might look like so-and-so if you happen to actually resemble a certain person, but in this cases, no, Tao doesn’t resemble any member of BTS, not even if you squint or are partially blind.
Anyone who’s woke would be agitated by the racism at play here. It happens when K-pop groups promote themselves in western countries. There are videos of groups passing out fliers in L.A. and New York, with people asking them if they are BTS. When they answer no, the people are suddenly disinterested and walk away. So rude.
The take-away when these kinds of things happen is that there are people who think all Koreans, or Asians in general, look alike, and these people can’t be bothered to really look at them and take note of their individual features, personalities and charms.
To these kinds of people, BTS is not Jin, J-Hope, Suga, RM, V, Jimin and Jungkook, but a featureless mop-topped Asian mob that descends in unison down red carpets and onto their small screens.
I’ve seen this in my friends as well, who cannot even distinguish the members of a much smaller group like Shinee, with only five members who look drastically different. One friend said she could only recognize them by hair color and I had to explain that is no basis for recognition because K-pop stars change their hair color all the time.
Is it really that hard to just look at a person? Granted, South Korea does have a largely homogenous society, and combined with rampant plastic surgery, many of their features are more similar than that of a multi-cultural nation like the United States. But failing to look beyond ethnicity makes someone less of a person, and more of a curiosity or object to be ignored. And maybe that is the insult Tao was really reacting to.
I couldn’t resist taking a stab at Ziko’s any song challenge. It’s such a fun song and the choreography is supposed to be simple enough to allow anyone to take him up on the challenge.
Even though the choreography is pretty easy, I still had my challenges. First of all this was my first time trying to dance solo, and just to be different from the thousands of other found videos online, I decided I needed a different backdrop. In Hawaii, heading to the beach is a no brainer because everyone loves to see blue sky and blue ocean.
The only problem was I was heading to the Big Island so I needed to do it quickly and it was on a holiday and everyone was at the beach.
So, in addition to trying to remember the sequence of the choreography, I had the additional challenges of sun in my eyes, wind whipping my hair into my face, and hundreds of people walking by, including those so oblivious as to pass behind me while the camera was rolling. Doh!
There’s a lot of pressure when people are walking by which made it harder than it would’ve been if I had stayed home.
👁 Zico and Mamamoo’s Hwasa show the challenge choreography:
In fact, it would have been easy to stay home and not do this at all, but I love this song and was compelled to be in the moment. Perhaps it’s 2020 energy at work, which is about tackling your fears before you can attain abundance. It’s supposed to be a momentous year for those willing to take action toward achieving longtime dreams.
Plus, I can relate to a song about getting older and feeling tired and bored but recharging by putting on any song and dancing any way you want.
It’s such an upbeat, fun song that earned Zico the honor of creating the first all-kill song of 2020, meaning it topped six major Korean music charts.
👁 The official video:
In spite of the public situation I put myself in, and my inability to smile where necessary due to those conditions, I got through the dance and survived, so I await the next challenge!
Note: For the sake of having a personal archive of dances, I said I would be posting my beginning dances from last year but I have at least 52 since last March. And I’m definitely more excited about what I’m doing now, so going forward, I think I will start posting those videos with the theme “On this day last year” until I’m all caught up. I will start to post those older videos in mid-March.