Dance Diary: ‘Produce X 101’ ‘Move’ 3.14.2020 + X1 where are they now

By Nadine Kam I

I requested this “Produce X 101” concept evaluation dance last summer, while the K-pop survival show was airing, and now that it came up I don’t even know why I requested it.

Two of the trainees got seriously injured from this dance and one ended up dropping out of the competition because of it.

“Produce” became the 3rd biggest Kpop scandal in a year of scandals because of vote-rigging that went into whittling 101 trainees and formerly debuted artists down to the 11 who formed the group X1. Sadly, I was a big fan of the group and about half the members, but X1 was forced to disband in January after only 2 months of activity due to the scandal which ended up with several managers from top entertainment agencies going to jail.

This vid has the “Move” trainee team in practice before the trainers, and their TV staging. You can see the harshness of the trainee system in that they’re wearing their ranking numbers from 1 to 101, so everyone is aware of their standing at all times, same as within their companies.

The 2X speed dance is a K-pop fixture and apparently it came as a surprise to the trainees.

Maybe it’s too early for an update on the X1 members, but here is what has ensued in the aftermath of their disbandment:

Kim Yo Han, center, with cast and director of “After School.”

Kim Yo Han: X1’s center will be starring as the lead of KBS 2TV’s series drama ‘School 2020,’ which will air in August. “School 2020” is the eighth drama in the “School” series. Yo Han will play Kim Tae Jin, a promising taekwondo athlete who suffers a severe ankle injury and quits taekwondo and transfers to a vocational high school. The drama just started filming. He doesn’t have a viable group to return to, but I think he wants to be a movie star anyway and X1 gave him instant name and face recognition, a big following and this initial TV offer. As a taekwondo junior champion himself, he is perfect for this role as a competent athlete who is socially awkward! He won’t even have to act!

Han Seung Woo: Has rejoined his former group Victon, and their comeback appears to be their strongest ever! Victon just made its first full group win on “The Show” with their latest song, “Howling.” Han Seung and fellow Victon member Choi Byung-chan appeared on “Produce” because prior to their appearance on the show, Victon hadn’t been very successful.

Kim Woo-seok: He has not rejoined his group UP10tion, but is working on music for a solo project, following in the footsteps of groupmate Lee Jin-hyuk, who was rigged out of X1 but because of it has had more success with the jumpstart on a solo career than all who won a place within X1. Woo-seok can be followed on IG @woo.ddadda.

Kang Min-hee will redebut with Starship Entertainment’s Cravity.

Song Hyeong-jun and Kang Min-hee: Two of X1’s 2002 liners will debut with seven other Starship Entertainment labelmates in a group named Cravity. Starship began introducing short promo films March 15. The lineup includes their fellow “PDX101” contestants Ham Won-jin and Koo Jung-mo. Others in the lineup are Seo Woo-bin, Allen Ma, Park Se-rim, Kim Tae-young and Ahn Sung-min.

Nam Do-hyon and Lee Han-gyul: The MBK Entertainment labelmates, whose strengths in X1 were rap and dance, respectively, teamed up to perform as Pocketdolz. This unlikely duo have been the most active in their post X1 activities, starting a vLive channel, release a new song, hosting a fan meeting and making the rounds of the TV music shows.

Lee Eun-Sang: I expected him to rejoin the Brand New Music labelmates he entered the PDX101 competition with, who, during his promotions with X1 debuted as BDC (Boys da Capo). But Brand New has him promoting solo with vLives, and most recently, a starring role in As One’s music video for the song “February 29th,” which he also covered. He also released a dance video set to Camila Cabello and Shawn Mendes’ “Señorita,” which he covered as one of the last releases for X1. I am really hoping for some new music by him.

Cha Jun-ho: He has returned to his agency, Woollim, implicated in the “PDX101” scandal, and has reported he is in training and awaiting debut. The most likely lineup would include fellow trainees Kim Dong Yun, and fellow “PDX101” participants Joo Chang-uk, Lee Hyeop and Hwang Yun-seong.

Son Dong-Pyo: Like Do-hyon, he is enrolled at the exclusive Hanlim Arts School that accepts only about 40 students per year for its arts-focused education curriculum. He is part of a pre-debut boy group lineup dubbed DSP N. Other members are Lee Jun-hyuk, Song Jae-won, Lee Sang-min and Park Si-young. 

Cho Seung-youn: The songwriter who also known by the names WOODZ and Luizy is continuing to write songs and otherwise seems to be in no rush to return to the stage. I think all X1 fans, called One-Its, are holding out hopes that he will be able to form an X1 subunit along with other X1 members not part of the labels able to form bigger groups. The lineup would most likely also include Kim Yo-Han, Lee Eun-sang, Nam Do-hyon, Lee Han-gyul and possibly Kim Woo-seok. It would be great if it could include some of the other Top 20 who fans wanted to debut as BY9 (Be Your Nine).

Dance Diary: SF9 ‘Good Guy’

By Nadine Kam I

On Jan. 30, 2020, I took on chorus choreography for SF9’s “Good Guy” during my weekly K-pop dance class. Even when it looks fairly easy and doable, it never is because of the speed of these songs.

In this video, I wanted to show more of the process and the false starts as we make our first few attempts at the dance at 100 percent speed. We generally start at 50 percent, and move up to 75 percent before taking on this challenge.

I wanted to show this because the bane of one of my former hiphop and heels—and perhaps every—dance teacher is encouraging new students to try a class. People who have watched my videos—no matter how sloppy we look—nevertheless are intimidated and tell me they don’t think they could ever do the moves shown.

I tell them I am just as uncoordinated as they believe they are, but it doesn’t stop me from trying. Because I always love a challenge, I see it more as fun than intimidating.

What may have boosted my attempts from the beginning was that I didn’t listen to K-pop at all, and wasn’t even sure what K-pop dance was. I approached these classes more as fitness than dance classes. I think that if I started with the idea that I wanted to master dance, I may never have started, because I think people always assume that one must start dance at an early age and toil for years to gain proficiency. I’ve found that’s not true at all. One can start at any age and mastery comes with effort and discipline, not any prescribed length of time.

At the time, I just wanted to move, I hate exercise, and this seemed more like learning an artform than a rote workout. Even so, it didn’t take long for me to really get into it and want to improve, so that’s when I went from a single class to nine a week in many styles to gain more technical skill: ballet, hiphop, heels, Afro-Caribbean, jazz, modern, body mechanics, etc.

Yes, of course, during my first year of trying to learn to dance (I enter my second year at the end of this month, February 2020) I stepped off the floor during the filming. No one wants to be looked at and judged. But one thing dance has given me is some fearlessness. Of course beginners are going to make mistakes, but it isn’t the end of the world, and even though I am not particularly gifted, so what? I am learning every day and it allows me to enjoy dance performances with a whole new level of understanding.

Dance diary: Playing catch-up with Pentagon, Twice and EXO

By Nadine Kam I

It’s funny how we lose motivation so quickly after the new year. Last year I wanted to post my dance videos to track my progress over time. I had some catching up to do, as this thought occurred to me after I had already built up a 6-month backlog of videos.

Well, now I find myself 10 months behind, so I will probably try to bunch them up. These dances are from March 9 and 16, 2019, Pentagon’s “Naughty Boy,” Twice’s “Yes or Yes” and EXO’s “Love Shot.”

At any rate, this is a good time to talk about my journey to date. When I started, I didn’t know what I was getting into. A friend wanted to learn to dance, and it sounded like fun so I said OK to K-pop dance. I didn’t even like K-pop. I was the only anti in class and I couldn’t understand why women my age were gushing over young boys. Whenever the teacher asked for requests for favorite songs or groups, I said I didn’t know any and that I was just there for exercise. This was in late February 2018, but by the end of April I was hooked.

A switch came in May when we did EXO-CBX’s “Blooming Days.” It’s a really difficult dance and at the time I didn’t want to be recorded on videos, but even without seeing how I looked, I never felt good about it, so I knew I had to go back for some remedial technique, having never danced in my life. Also, prior to starting K-pop dance, I was living a sedentary life for 30 years, but I wanted to lose some weight and become stronger as I thought about issues associated with aging, since I am no spring chicken and want to remain ambulatory in my old age.

I also had regrets about never having taken dance classes when I was a child, the result being I was never a good mover, and never had the coordination one develops when making those brain-to-limb neural connections in childhood.

I’ve made some interesting discoveries along the way. I once thought that dance is a purely physical activity, but I have learned the physical part is the easiest. I believe that dance is 1 part physicality, 1 part musicality and 1 part mental strength.

The hardest part is mental, not only remembering the moves—which I have extreme difficulty doing—but also having the focus and confidence to get out there in the first place. You really have to believe you can do it. I struggle with the mental challenge of dance, and it’s not something that instructors—who are typically natural movers and naturally gregarious—can help me with. I feel like what I need is a good sports coach.

Although K-pop is one of the few styles that requires no dance experience to get started, to improve my lines and form, I added on ballet, modern, jazz, hiphop, heels, some African-Caribbean and body mechanics, everything employed by K-pop choreographers. I did all that for the next six months and came out of it ready for the camera by February 2019. Well, imperfect of course, but I wanted to track any improvement over time.

Even though I’m still not very good, I am enjoying the journey, and I both see and feel some improvement. I have a long way to go, but along the way, I hope I can inspire others to get up and move. Don’t let the fear of learning something new stop you from getting started. You may surprise yourself. I know I did.

Dance Diary: Taemin’s ‘Move’

By Nadine Kam I

I wanted to dance to Taemin’s “Move” for a long time and tried to learn the choreography on my own at home.

This is where memory fails me, coz I actually made it through the entire song, but in dancing it could never remember the order of the segments. Just like working out at home, people don’t usually push themselves as much as when risking humiliation in front of other people in a class. So at home I just didn’t do the number of repetitions that would drill the movements in brain and body.

I feel like this is a dance that could be done in its entirety if given three class sessions or so, but I didn’t like the way the segments were chopped when we did this on March 2, instead of staying true to the choreography. It kind of messed me up because the flow of movement was lost.

Oh well, enjoy Taemin in action:


Dance Diary: Chung Ha ‘Gotta Go’

By Nadine Kam l

Skipped ahead to March 14, 2019, because I wanted to post this in honor of Xiumin, who danced a bit of Chung Ha’s “Gotta Go” as part of girl group dance medley to entertain fans during his “Xiuweetime” fanmeet May 4, prior to his May 7 departure for the South Korean military.

We danced this during beginner K-pop dance class. The video with Xiumin is followed by another segment featuring more of the dance.

This dance called for bringing out a little sexy, which is not really me. So this is part of the psychology of dance that I always talk about. It really calls for acting and embracing certain feelings, emotions and characteristics that one may not possess.

You have to will yourself to be sexy, strong, cute, whatever the dance calls for. Sometimes I’m really resistant, which makes it hard to perform well. I really hate cute dances because that’s so not me. I think of myself as a strong person and my preference is for strong male dances. When we do cute dances, everyone is always smiling, and I’m the only one who looks really grouchy and serious. I just cannot smile. So these dances really call for a strong will to overcome one’s prejudices and predilections, and embrace the choreography presented.

👁 🎧 The official music video:

Dance diary: 8 secs of SHINee’s ‘Lucifer’

By Nadine Kam I

On a previous dance post I talked about SHINee’s “Everybody” and the robotic, mechanical movements of dubstep.

On Jan. 13, we revisited SHINee, but this time going back to the year 2010 and “Lucifer” choreography incorporating tutting, stylized hand movements associated with the rendering of human figures in ancient, hence the “King Tut” reference.

Our limbs don’t naturally form those poses, so the gestures require a lot of mind-body coordination, and it’s difficult to perform them cleanly and clearly at the high speed of K-pop dance. I continue to be amazed by how fast the moves are when performing them vs. simply watching, when they seem like they have all the time in the world to make those moves.

Which is why, after an hour, we only learned this 8-second bit. I was sad that we didn’t get to do the much easier iconic part of the dance that involves the spreading index fingers and the electric shock move, but I’m always happy to dance SHINee if it helps to keep Jonghyun’s legacy alive.

👁 Watch: The whole MV

From left in both videos, Key, Onew, Taemin, Jonghyun and Minho.

👁 Watch: SHINee’s dance practice

Dance diary: A walk through Black Pink’s ‘As if it’s Your Last’ and BTS Home Party

By Nadine Kam I

Through this dance class, dated Jan. 12, 2019, I wanted to share the process of learning and creating a formation to show that it’s not a scary endeavor at all and to encourage any closet dancer to come out and take a chance on learning something new.

For a year, I’d been inviting some sedentary friends to come keep me company and get some fun exercise, but a little aerobics is one thing and dance is another. Dance tends to make people feel intimidated. And videos are the bane of dance teachers. On the one hand, they love to show their work and accomplishments, partially as a way of enticing people to come out and dance. But when people see the end result, their first thought is, “I can’t do that.”

It’s the same way I feel at the start of each class. Every time I’m shown the K-pop videos, I think, “I can’t do that.” But rather than stopping there, my second thought is, “Oh well, let’s give it a try.”

Each teacher, here Sarah Replogle, is able to break the dances down into bite size chunks, so non-dancers will be surprised how much they can actually do when taking it slowly. K-pop dance is one form in which anyone with no dance background can jump into without risk of injury.

Alas, I used to invite friends to also join me in beginning ballet, modern and jazz classes, but it’s weird to say that even though I’m still a novice in all these forms, I’ve advanced in a year to the point that they could not join me in the same classes, at risk of hurting themselves without a foundation in technique.

The one thing I’ve learned through ballet is that the exercises never end. Even the pros continue to perform the same exercises as we do as beginners to maintain their form and balance, and build strength.

This video shows how slowly we walk through the moves to get to the end.

A slow walk-through of Black Pink’s “As if it’s Your Last” chorus after about 30 minutes of learning the choreography. I don’t care that I’m lagging in this first attempt at a formation.

👁 Watch: Black Pink “As if it’s Your Last”

Around this time, because of all the modern dance I had been doing, I was feeling more confident and when I watched this BTS Home Party dance practice video featuring J-Hope, Jimin and Jungkook, and other of their raw practice videos, I felt like if I were in the same room with them, I would be able to pick up choreography just as quickly as they do with their 10-plus years of dance and stage experience, often putting 11 to 16 hours a day into rehearsals vs. my four or five hours a week. Of course they are far more brilliant in their presentation than I am as a beginner much older than them, but their process is the same and watching them helps me set goals.

I am in no way a natural dancer. I move in strange ways and am totally uncoordinated, but I always felt as if anyone could learn choreography. It’s looking good doing it that’s the problem. It takes a lot of strength and technique to achieve the long, clean lines, posture and balance that Jimin maintains, plus a lot of flexibility to arch and flatten your back.

I didn’t have much of a problem with flexibility when I was taking nine classes a week and stretching daily, but now that I’m down to about four classes weekly, weighted toward the end of the week, I can feel how the body contracts and stiffens in the downtime. I don’t know how I lived 20 years as a couch potato when I feel the difference now after just three days of non-movement. Lol!

Because I never moved since childhood, and had no dance training, all the moves felt unnatural a year ago, but over time, movement grows on you. When I watch casual, personal videos of the K-pop stars, I notice they are always a second away from showing dance moves or dance hand gestures. I’ve noticed the same thing happening to me when I sit down to eat and hear music. Movement is starting to come more naturally as a matter of everyday life.

Anyway, I’ve pretty much done every move BTS does in this dance video, including hitting the floor with the kick in the air, but the longest segment of choreography I can commit to my brain is 1 minute. Dance is a challenge of memory as well as physicality. I am working to build new neural connections. In a way, I guess you could say if your strengths are elsewhere, dance makes you smarter.