A shot of a 19-year-old woman from Waipahu is one of the first we see in closeup in the new BTS “On” Kinetic Manifesto Film: Come Prima” music video.
She’s Sienna Lalau, a choreographer from The Lab who now resides in L.A. and was also responsible for coming up with the whiplash choreography for BTS’s “Dionysus” and the J-Hope and Becky G collaboration “Chicken Noodle Soup.”
This time there were many more moving parts as the boys fronted an army of 30 backup dancers and the Blue Devils drum and bugle corps who created a martial vibe for the anthemic song, filling the role of a marching band that, on the recording, was performed by musicians from the UCLA Bruins marching band.
So, are you ready for another BTS takeover of the media? Every release brings a flood of reports from, not only music publications and websites, but the likes of Time and Forbes magazines, the L.A. and New York Times, the Washington Post, the U.K.’s Guardian and Telegraph, and many, many more newspapers and magazines, including many a fashion bible such as Vogue.
They already appeared on “The Today Show” on Friday morning, and this is their late-night schedule this week:
Monday, Feb. 24 “The Tonight Show with Jimmy Fallon”: The BTS Special will have them enjoying quintessential New York, from Katz’s Delicatessen, to the subways to Grand Central Terminal, where they will perform “On,” the lead song for their latest full album release, “Map of the Soul: 7.” How they managed to takeover the always-busy train station is beyond me. At 10:30 p.m. Hawaii time.
Tuesday, Feb. 25 “The Late Late Show with James Corden”: During their last appearance of the show, they recorded a carpool karaoke segment. No doubt they’ll be singing some songs off their latest release, but question is, will James be singing the Korean lyrics, or just sticking to English? At 11:30 p.m. Hawaii time.
This comeback is an important one and the number 7 is significant as a representation of the number of members, the 7th anniversary of their debut, and marking their rise from rags to international stardom. The album may also be their last as a septet because the oldest, Jin (Kim Seek-Jin) will turn 28 this year, the tail end of the mandatory age of enlistment for the South Korean military.
👁: Some background on the recording of “On”
While continuing their use of positive messaging, the album is certain to be an emotional roller coaster for ARMYs because of its autobiographical nature, recounting their story since coming together as a group, which every fan knows was not an easy road. In spite of the appearance of seeming overnight success they achieved in the west, it was not the case in South Korea where they were reviled in the underground rap scene, attacked by mainstream K-pop fans and endured so much that up until two years ago, they had considered disbanding. To this date, the average South Korean does not know who they are.
There is a lot of reference to pain and shadows that early on, they had no coping mechanism to deal with, save for their own isolated camaraderie. They have since come to accept that it was those hard times and those experiences that shaped who they are today, their message to fans being that—knowing everyone goes through hard times—you can face the worst scenarios and come out stronger if you refuse to give up.
It’s a story that resonates with millions of fans around the globe and helps to explain the group’s international stardom.
I wanted to dance BTS’s “Black Swan” choreography ever since they debuted it in the United States on James Corden’s “Late Late Show” on Jan. 28.
After putting in my request at our beginner K-pop dance class, I finally had the opportunity to learn the last chorus during a Hawaii Dance Bomb class on Feb. 10. I was hoping we could get to the end of the song but unfortunately we couldn’t. I was hoping for a follow-up class, but that looks unlikely.
We took so much time to learn just a brief segment that we ran out of time to record the dance as a class as usual. Afterward I wanted to film a reaction to the video with one of my friends in the class, and when we finished we decided to give the dance one more try and see how much of it we could remember. It’s funny how so much is forgotten the minute we walk out the door, and after no more than a half hour we struggled to remember which parts came next.
👁 We tried a little bit of the last chorus at the end of this vid:
Anyway, because BTS performed the dance barefoot, I went barefoot the whole class—which was pretty typical every time I took a modern or contemporary dance class—and continued to dance it barefoot on the concrete outside.
I was afraid it might be painful but because it is more of a modern dance piece there were no jumps that might have caused pain. A few weeks ago I tried to learn Dawn’s “Money” by myself, and even on a wood floor it became painful because of all the jumps he does.
👁 BTS “Black Swan”
Just watching the dance ahead of time, I knew it would be painful in other ways, such as trying to match their wide and low stance. The flexing of their backs made me realize it was an area I had to work on because my back is too stiff to get the arch and flow of their swanlike stretches. I spent about three days trying to stretch and flex my back without the help of an exercise ball, which I really should get. I also kept up my plies and tendus, adding squats, just to prepare for a few minutes of dance! Even though classes are an hour long, about 15 minutes is spent in warmup and socializing, and much of the time we are walking through the moves. We are only dancing at 100 percent for about 10 to 15 minutes.
Yet … a day after class my muscles were aching, from my core to back of my thighs. I mean, BTS puts a lot of rigor into the dance but I hadn’t felt pain after a dance class in a long time so I thought I had done enough prep. That just shows how grueling BTS choreography continues to be. I haven’t hurt for a long time after many of the other boy dances that call for a lot of powerful and rapid movements. When I look at the video of myself, I see I’m putting in a quarter of the energy BTS puts into their performances.
I know the millions-strong ARMY already respects and admires BTS, but if they tried their dances they would respect them even more.
Recently, former EXO member Tao (Huang Zitao), got into hot water with some BTS ARMY members when he became agitated after some girls in Iceland—who believed he was “somebody” but didn’t know for sure—asked him if he was a member of BTS.
He explained he had been in EXO, information that drew a blank.
After the girls left, he went on a rant to his cameraman, telling him to cut out that part because it was embarrassing to be mistaken for another group’s member, and how EXO was much bigger than BTS at the time he was in the group, but now all of a sudden he was assumed to be a member of BTS simply because he was Asian. It didn’t help that he is isn’t even Korean, but of Chinese descent.
👁 Tao’s encounter:
ARMY was riled by his rant, but let’s look at the situation from Tao’s point of view for a moment.
I get that there are times when people say you might look like so-and-so if you happen to actually resemble a certain person, but in this cases, no, Tao doesn’t resemble any member of BTS, not even if you squint or are partially blind.
Anyone who’s woke would be agitated by the racism at play here. It happens when K-pop groups promote themselves in western countries. There are videos of groups passing out fliers in L.A. and New York, with people asking them if they are BTS. When they answer no, the people are suddenly disinterested and walk away. So rude.
The take-away when these kinds of things happen is that there are people who think all Koreans, or Asians in general, look alike, and these people can’t be bothered to really look at them and take note of their individual features, personalities and charms.
To these kinds of people, BTS is not Jin, J-Hope, Suga, RM, V, Jimin and Jungkook, but a featureless mop-topped Asian mob that descends in unison down red carpets and onto their small screens.
I’ve seen this in my friends as well, who cannot even distinguish the members of a much smaller group like Shinee, with only five members who look drastically different. One friend said she could only recognize them by hair color and I had to explain that is no basis for recognition because K-pop stars change their hair color all the time.
Is it really that hard to just look at a person? Granted, South Korea does have a largely homogenous society, and combined with rampant plastic surgery, many of their features are more similar than that of a multi-cultural nation like the United States. But failing to look beyond ethnicity makes someone less of a person, and more of a curiosity or object to be ignored. And maybe that is the insult Tao was really reacting to.
BTS is not only a music phenomenon, but a cultural phenomenon, and one reason for the group’s popularity has been its use of its influence to foster optimism and forward thinking around the globe. This time, they’ll be doing it through art, with a new global project called “Connect, BTS,” a series of large-scale art projects involving 22 artists and five cities on four continents.
The intent is to connect people across continents, via art. The first work, an immersive audio-visual forest experience titled “Catharsis,” by Jakob Kudsk Steensen, opened yesterday at the Serpentine Galleries in London. Other works will be unveiled Berlin, Buenos Aires, Seoul, and New York through spring.
Kim Taehyung is the group’s resident art lover and painting enthusiast, and during tour downtimes is known for seeking out museums and galleries. He has surprised gallerists around the world by walking into their galleries and openings unannounced, and leaving with purchases.
You can read more about the project at the links below:
While BTS is once again building bridges around the world and spreading their brand of positivity, inclusiveness, culture, artistry and intelligence, it made me think of their detractors, for whom BTS seems to be a trigger for their xenophobic and homophobic sentiments.
BTS’s army of fans has a history of going after such detractors, and in doing so, amplify their rants. Two of the biggest trash talkers have mocked Army for doing just that, and in so doing only spread the negativity and increased the audience of those pot-bellied buffoons with dinosaur-age thinking.
They think of Army as no more than “a bunch of teen-age girls,” but already those “teen-age girls” are a force to be reckoned with and will be the ones wielding political might in the future. Yes, they pool their resources to do some pretty fangirl things, like buying billboards in Times Square, newspaper ads and subway ads to celebrate their favorite K-pop stars’ birthdays, but following BTS’s lead, they’ve also used their numbers and resources to build wells in Africa and fund humanitarian projects around the globe. Connected through a love of BTS, they’re able to mobilize for good causes.
So, going forward, I am not naming those major detractors in favor of suggesting a new tack. That is, just ignore the naysayers. The impulse of Army has always been to protect and defend BTS, but for the most part, the antis are nobodies who want attention. So, don’t give it to them. Don’t give them a voice so they can just go back and crawl back under the rock from which they emerged.
The ones most vocal in the west most only reveal themselves to be intellectually inferior, racist homophobes. History will have no place for them, but BTS is already in the pantheon of greats as musicians. As a force for change, fostering peace and diversity, they are doing much more than politicians. Imagine if they were nominated for the Nobel Peace Prize sometime in the future. Then the whole world would have to pay attention.
And based on some early numbers, there are more who want to hear their messages. Today their management company Big Hit Entertainment announced that “Map of the Soul: 7” has sold a record 3.42 million preorders in its first week of availability, making it likely that the album to be released Feb. 21, will top sales of last year’s chart-topping “Map of the Soul: Persona,” which sold 2.685 million preorders in its first five days.
HONOLULU — In my corner of the world, people seem to need three weeks to recover from the holiday season, as slowly the social calendar is beginning to fill up with events.
But K-pop never rests, and in my anguish over the terrible treatment of X1 and their disbandment and the excitement of Treasure being liberated from its prison at YG, I overlooked the Jan. 7 announcement that BTS will drop the next chapter of its “Map of the Soul” series on Feb. 21.
Pre-orders for “Map of the Soul: 7” is going on now, and two days later Big Hit Entertainment released a beautiful comeback trailer, “Interlude : Shadow,” featuring Suga (Min Yoongi). This song makes me feel really sad to think of all that he and BTS have been through to get where they are, only to find how lonely it is at the top.
Ah, it’s so good, but I’m glad I didn’t know this was going to be out ahead of time. I probably would have tried to record a reaction video and end up crying as soon as his singing kicked in.
So instead, check out this explainer from DKDKTV’s Danny Kim on the Jungian perspective that defines the “Map of the Soul,” and a music producer’s perspective on the song.
“Bring the soul” is the third in a series of BTS films, this time documenting the Korean super group’s “Love Yourself: Speak Yourself” tour last fall, which took them from Seoul to the United States and Europe.
The film opens and closes with the group enjoying an intimate dinner party on a Parisian rooftop at the end of the tour, and press materials promised members would share “their own stories as never heard before.”
That promise of intimacy is what lured me in, but the film didn’t deliver in that regard. There is more intimacy in their VLive self-cameras and “Run” episodes than in this film. I would have appreciated more insight than I already know, and less of the fast-paced montages that fill up time without adding to fans’ knowledge of the group. The films, to me, always feel like an introductory calling card for non-fans who want to understand the BTS phenomenon that Army is already well aware of.
That said, I went with a super fan who doesn’t hesitate to fly off to their concerts, sang along with each of their numbers and on Day 2 of the film’s release, was watching it a second time. I think it’s safe to say she loved it.
Like “Burn the Stage” and “Love Yourself in Seoul” before it, the film contains a mix of concert and behind-the-scenes footage. In between performances we see a lot of them eating, sleeping and working out. I’m pretty sure fans feel some relief in seeing them sleeping because in addition to providing constant joy, they bring out the nurturing instinct in fans who worry about their health because we understand their drive to push themselves to their physical and mental limits to put on their best performances for their millions-strong Army.
This point is driven home from the start when, all smiles on stage, maknae Jungkook bursts into tears off stage after the initial Seoul concert because his voice cracked during a song and felt he didn’t show his best. RM shrugs off that minor incident, saying he missed two verses of a song.
Fans will feel a roller coaster of emotions, from the exhilaration of their high-energy performances to the pain of seeing how much the boys suffer for their art and for their audience. It really hurt to see Jimin in a leg brace, and it reminded me of hearing in real-time last fall incidents in Europe when Jungkook’s heel injury prevented him from dancing. There was reference to Jimin’s inability to perform in London a day after Jungkook’s injury, but the film didn’t show him in the back brace on his birthday, when he suffered severe muscle spasms.
In light of the severity of their ailments, much less attention was focused on Hoseok and Taehyung’s illnesses which were brought to light here. I recalled hearing Taehyung was sick, but it’s more visceral to see it, and again, their heartbreak when they are unable to be at their best for fans. I actually cried when I saw him unable to sing on stage, but mouthing his lines, with the fans filling in the gap with their own vocals. Of course they know every line.
Backstage, he starts crying but even then must smile for the cameras because press photographers are waiting, which has to make fans wonder how many times they are forced to smile through tears.
I know there are a lot of anti-fans out there, and people who just don’t understand the devotion people feel toward this group. Antis and the oblivious seem to think of them as just a trivial, lightweight K-pop band. A typical response among those I know is, “I don’t get it.”
My K-pop professors at the University of Hawaii at Manoa would often say to our class, “Do you believe BTS really loves you? Don’t believe everything you see. It’s show business.”
Yet, fans often mention how BTS helped them get through dark times and how the group saved them with their messages of light, hope and self love. I think a lot of fans do believe in BTS’s sincerity that sets them apart from other groups, both western and Korean. With cameras on them at all times, I really don’t think they can hide who they are. I think most people are smart enough to detect B.S. Even when they do indulge in their share of B.S., other members quickly call them out, letting the audience in on the hilarity of the situation.
You can bet the rest of the music industry is trying to dissect the BTS formula for success. But it can’t be replicated because it is the sum of these particular seven guys: Kim Seokjin (Jin), Min Young (Suga), Jung Hoseok (J-Hope), Kim Namjoon (RM), Kim Taehyung (V), Park Jimin (Jimin) and Jeon Jungkook (Jungkook).
I think about this a lot. Even the casual observer can see their talent. On the surface, they are not much different from any Korean male group. Some would say they don’t even sing or dance as well as others. So, why this group above all their contemporaries?
I think fans look deeper to see them as more than a singing-dancing phenomenon from South Korea. Beyond the obvious, we also see their human dimension, knowing them to be comical, hard-working, often hungry, worried, thoughtful, lonely. While others see the costumes and glitz associated with worldwide fame, we are fed with constant livestreams and news of plane trips that start at night, flying into night, the early morning wakeup calls, the detachment of unfamiliar hotel rooms, the longing for foods from home. It is this part that brings them closer to earth and so relatable. In spite of the joyful facade, we understand the hard work it takes to make it in their tough industry.
Western stars lack this relatable quality because they flaunt their wealth and have an air of entitlement and superiority over fans.
In their words and actions, BTS always makes it very clear they don’t take fans for granted. This film shows how much they put their fans’ hopes and expectations above considerations for their own health and well-being. Because few bands in Korea last five years, they know their time could be up tomorrow, so they make sure they are giving their best today.
Never in my life did I dream that K-pop would be a subject worthy of college level study, but why not for the politics, history, psychology or sociology student who wants to know how popular culture shapes a society, or the business or economics student who wants to know how a multibillion dollar industry was built from nothing? Which is where K-pop was in 1992 when Seo Taiji and the Boys took to the Munhwa Broadcasting Corp. stage on April 11 with their hiphop act and lost the evening’s music competition but won enough fans to change the way music is made in Korea.
It was only five years after South Korea became a democracy, and people were finally free to emulate their Western counterparts regarding music and fashion. Prior to that, they had lived under autocratic rule similar to North Korea today, where personal freedom was limited and little things like hair lengths and skirt lengths were strictly regulated.
While Seo Taiji and the Boys took their cues from American hiphop, others flocked to J-pop, and within a year after democracy was established, 10 percent of all music sold in Korea was J-pop. One of the “boys” was Yang Hyun Suk who would later found YG Entertainment, one of the Big Three agencies in South Korea, who professor Jayson Makoto Chun now compares to Darth Vader, having gone to the dark side as someone who once fought for creative freedom, but stifles his own artists.
“ASAN 464: K-pop and J-Pop: Korean and Japanese Popular Music and Society,” led by Drs. Patrick Patterson and Chun, grew out of their respective interest and research into the worlds of J-pop and K-pop. They joined forces because they said there can be no discussion without knowing the countries’ intertwined histories.
It made me thank back to a post from last year after BTS appeared at the Grammy Awards show. I remember one commentator wrote of one of their videos rocking out to Dolly Parton’s performance, “Those are the whitest guys I’ve ever seen. That’s what colonialism gets you.”
On the one hand, I was angry about the snarky comment, but at the same time I had to acknowledge that K-pop is essentially American or Western music sung in the Korean language. The course is driving home this point even more as Chun raised the question: “What is Korean about K-pop?” pointing out that most of the songs are written by Swedish or American songwriters; their dances are created by American or Japanese choreographers; their training system is modeled after the J-pop system; and these days group members are increasingly coming from the United States, Thailand, Japan, China and Taiwan as they seek out the best and brightest who may no longer be in South Korea.
It’s a question that will come up more and more as the Korean music industry itself tries to stay ahead of the pack and are moving into other countries, hoping to replicate the K-pop formula with homegrown talent in countries across Asia and the rest of the world, including this country as SM Entertainment prepares to launch a second Girls’ Generation with American talent to sing in English, and a second NCT comprising Europeans.
Obviously, they have the know-how to create and train groups in countries such as Indonesia or Thailand that don’t have the infrastructure to grow and market their regional talent.
I’ve often thought this about Hawaii, where we have a lot of people with innate musical ability, but lack the vision and training centers to create superstars. Someone like Bruno Mars had to go it alone and blaze his own trail, but what if we had studios connected to L.A. producers who could identify and work with talent from a young age? Mars (born Peter Gene Fernandez) at least had an advantage in having been trained in stagecraft by his musician father.
But the whole idea of the K industry looking elsewhere for talent has me worried about the future of K-pop and Koreans who want to enter the business as the market will become saturated with singing, dancing boys and girls from every country, speeding the decline of this style of music as the audience grows weary of it and moves on to the next big thing.
The overall purpose of the class is to learn the ways the Koreans have managed to hack our brains as we decode the workings of an industry that is shaping the way all music is made.
Professor Patterson compared it to a baseball field in which one action sets every player on the field into action. Although in the scheme of things, BTS is not as big in terms of record sales in America as the perception may be because of their constant news presence, all industry eyes are on them to see what they will be doing next and to crack the code to their success. You can bet there are people hard at work now to reverse-engineer their music and marketing methods to find out why they have managed to captivate so many, irregardless of gender, sexual identity, race and age.
During an earlier talk to raise interest in the course, Chun suggested that suffering is a crucial component of K-pop because fans identify with the struggle and the fact that the group members continue to work hard even after they become successful, unlike their Western counterparts, who often adopt a decadent lifestyle and feeling of entitlement. In contrast, every K-pop star knows he or she can replaced any second by someone younger and more talented. As trainees, they compete every day and are role models for a generation sick of the childish behavior exhibited by our politicians and other adults around them. American adults talk about morals and values but display none of the traits they idealized. On the other hand, K-pop stars are generally trained to act like model citizens as they are sent as ambassadors of South Korea abroad. Fans often call them princes because of the elegance they project abroad.
Another reality is that South Korea is still a relatively poor country and in rural areas, a family’s well-being can rest entirely on their child, which is why they can sign them to slave contracts. It’s why the kids feel incredible pressure to perform well, and adds to their feelings of disappointment and shame when they are unable to debut.
When Chun asked us whether we would have been willing to sign our lives away at age 11, it’s funny only me and the other musician in class raised our hands. “Seven years is not that long,” I whispered to my friend. At their age it covers “wasted” time in junior and high schools.
I already know what it’s like to suffer for one’s career and stick it out for the long haul. I feel like I would have been tough enough, though after watching some of the survival shows I feel as if I—like so many of them—would be crying after every evaluation. It all drives the feeling of empathy and compassion we feel toward them. It was already pointed out in class that after one of our class members related one of the difficulties of her high school years, we sympathized and liked her more.
The same is true of the K-pop bands we stan. The fans are always there to offer up an encouraging rallying cry of “Fighting!” “Save him!” or “Protect him!” when we see them enduring hardships or taunts from other fandoms. Just today there were anti-fans trying to spread the hashtag “TaehyungleaveBTS,” calling him ugly and talentless. Of course Army fought back.
And there’s a reason EXO’s catchphrase is “We are one.” Fans and stars, we are all fighting for their success together, and that makes for an unbreakable bond.
The central idea behind Christopher Nolan’s Dark Knight Batman trilogy is that the Batman exists as a symbol of hope that allows people to wake up every morning in hope that today will be a little better, a little safer than yesterday. Symbols/ideas are important because they live on beyond an individual’s lifespan and transcend geography.
In the music world, BTS was created by Bang Si-hyuk, also known as “Hitman” Bang or PD Nim, to fulfill that need.
That might sound like hyperbole, but consider that Bang, who got his start within the idol-making machine, wanted to fix what he thought was wrong with K-pop. That is, the industry is built on blank slate talents that can adapt to any music trend, whether they like it or not, to serve the need of their puppet-master producers. The result is “artists” that have no control over the style or message of their music.
Bang worked as a songwriter and producer with one of the Big Three companies, JYP, until 2005. He was disillusioned by the lack of personal expression in the music and set out to establish a different kind of company, one willing to support individuals who could express themselves through their art and storytelling. This was the root of Big Hit Entertainment.
In 2010, he began to assemble a rap group reflecting youthful resilience, that he named Bulletproof Boy Scouts to express toughness needed to navigate modern life, along with strong moral character to be a source of sincerity and goodness lacking in public figures ranging from entertainers to politicians. In interviews, he said he thought of BTS as sympathetic role models or heroes for fans who don’t need someone dogmatically preaching at them from above, but is peer who shares similar trials and anxieties, who can empathize and offer words of support.
As underdogs in an industry that did not receive them well, BTS members did not shy from speaking their minds in songs ranging from “Not Today” to “Dope.” They spoke up for a generation that feels powerless in society, reflecting on a wide range of issues, from job insecurity to prejudice and human rights.
Even so, it was still hard for me to imagine BTS as a significant force for greater good. That is probably the cynical journalist in me, thinking that the world is doomed by a larger population of haters and bigots, who are fearful and close-minded, and don’t hesitate to drown out any voice of reason.
But what changed my mind about social change being possible for the next generation is the online exchange that followed Suga’s (Min Yoon-gi) appearance at a Los Angeles Dodgers game, while he was in town for concerts, to support South Korean pitcher Hyun-Jin Ryu. The Dodgers posted a series of pictures of Suga at the game, that were picked up by ESPN’s social media channels. Harmless sharing, right?
But some sports fans responded with racist, sexist, xenophobic comments such as “Americans don’t like that crap, except pre teen girls,” and, “JUST Another rich Chinese kid,” which set Army into caption to shut down the haters.
I was heartened that Army, once again, was there to take a stand against the haters accustomed to drowning out other voices by sheer show of force and puffery. Clearly, BTS’s message is getting through to the 94,000 who appeared on ESPN’s Twitter page in defense of Suga, with messages like this one from @taeyeol_bts: “Bts teach to love yourself and accept yourself whatever you are. (Haters) please learn to respect and love yourself first. Then you can love and respect other people! I am Army who loves bts with all my heart. I’m proud of BTS.”
I’m proud of Army fighting hate by spreading BTS’s message of love and acceptance.
We spent an hour learning BTS’s “Idol” during our beginner K-pop dance class at Star Fitness Hawaii on Feb. 9, 2019. It is the most high-energy dance we’d done so far, and after dancing it at 100 percent about five times, we wanted to collapse.
Now I understand why I’ve seen BTS also collapse on the floor after performing nearly 4 minutes of this choreography. When I saw it happen I was wondering why they would be so exhausted after one dance because they often perform several of their dances in succession during live shows.
I have to admit it scared me to see them, especially Taehyung, breathing so hard when they are so young.
After doing this dance, I now know why. We only learned about 40 seconds, so would have only done 2-1/2 minutes of the dance at 100 percent and it is way more exhausting than we make it look. The song is nearly 4 minutes and they are dancing that whole time. It’s all the jumps that make it so exhausting.
BTS choreography is actually much easier than most K-pop dances. It’s not that they can’t do sharp moves, but they sacrifice detail for high energy that is exciting for people to watch and more engaging during a live performance. It also makes it much more fun to dance. An EXO dance, for instance, is so intricate that it’s hard for me, as a beginner, to escape into the mood or feeling of the song. Every second is spent thinking about the small technical details that make it more stressful than fun.
BTS made history April 13 as the first Korean group to perform on “Saturday Night Live” in its 44 years. It was a big night for both parties, and my feeling is that SNL needed them more.
After telling all my friends to watch the show for BTS, I actually fell asleep for about 15 minutes while waiting for them to appear. Part of it was the result of being in a food coma from having dinner at GEN Korean BBQ’s official grand opening Pearlridge Center. The other part was that the rest of the show hosted by Emma Stone was soooooo boring. It just reaffirmed why I stopped watching the show a year ago after discovering K-pop.
Here’s a quote from Bustle.com that echoes my sentiment:
“While an SNL performance is usually a big deal for musical artists, this episode marked the rare occasion that getting a particular musical guest seemed to actually be a big deal for SNL. It’s not every week that SNL ends up being the top trending topic in America, and the group’s presence seems to have brought a whole new audience to the show that may not usually stay up to watch live.”
😋: How I ate that sent me to sleep
I was able to catch the performance of “Mic Drop” but it’s an old one for them. I guess they chose to perform that song because it’s one they haven’t performed on any of their American award show appearances, and their last album, “Love Yourself: Answer’s” most powerful group song was “Idol,” which they’d performed a lot in this country. Much of the album was filled with solo songs from each member that help to give the group a rest from strenuous choreography during their live shows. While one is on stage, the others can take a breather.
I was able to catch their performance of “Boy With Luv” online after the show, and over two days probably watched it about 30 times. I loved seeing how happy and relaxed they were on stage. I loved seeing Taehyung’s (blue hair) smiles and expressions, and of course Jimin (orange hair) was as sexy as expected. They were all in such a good mood.
In a previous post I mentioned that I was really looking forward to hearing Halsey on the new BTS song. I have to admit I was a little disappointed by how small her vocal part was in the music video, but she does get a verse in the recording. I believe they downplayed her vocal because they don’t want audiences to get accustomed to hearing her voice and miss it when she’s not there during their concerts.
With 74.6 million views in one day, the MV for “Boy With Luv” broke the record for the biggest 24-hour debut, that was set by compatriots Black Pink just one week ago for “Kill This Love.” That video had 56.7 million views in 24 hours.
Although fans loved the colorful MV, they seemed to enjoy the SNL performance even more for the same reasons I did. It was trending at No. 2 on YouTube for two days, topped only by the new “Star Wars Episode 9” trailer.