It’s rare for Hawaii fans to witness K-pop live. Groups come here all the time, but not for concerts.
Since last November, EXO, Winner, Black Pink and Twice have all been in town for a mix of photo opps and video features. Others have been here as well. In 2017, before they really blew up in America, BTS was on Oahu to film their vacation package “Bon Voyage.” They walked throughout Waikiki and the North Shore unbothered. No one took much much notice of the seven Korean guys in loud aloha shirts.
There have been attempts to stage big concerts here before, but according to promoters, the numbers really didn’t add up. As I mentioned in my post yesterday, the market for K-pop is still niche and in Hawaii, it’s difficult to know who’s a fan. Many are closeted.
And although the rest of the world sorts music lovers into fans of K-pop and antis, many of the K-pop fans are anti-any-band-that-is-not-their-fave. Rivalries among fandoms is real, so a BTS fan may not show support for an EXO concert and vice versa.
A BTS fan may say he/she is a K-pop fan, but in truth that person may only like BTS. So BTS distorts the numbers of true K-pop fans—who, just as among Western music lovers—may follow only two or three favorite groups out of a hundred or so that debut every year.
So, it was a real treat to see Ladies Code and eSNa in town for a free concert thanks to the Hawaii Korean Chamber of Commerce, which presents a free Korean Festival annually. This year, the event took place Aug. 10 at Victoria Ward Park on the grounds of the former Ward Warehouse.
About 10,000 people attended the all-day, family event that closed with the 7 p.m. concert, and afterward the women stayed for a meet-and-greet session with grateful fans.
I had the opportunity to chat with the women briefly before they had to go on stage for a soundcheck and rehearsal session.
eSNa, whose stage name is an abbreviated version of her full name, Esther Nara Yoon, is from L.A. and started her music career by uploading cover songs on YouTube. She moved to South Korea in 2010 and became known as a singer-songwriter who has written songs for many in the industry.
She was sidelined earlier this year after she was struck by a car that left her bedridden with a broken collarbone and other injuries. After recuperating, she returned to the stage during KCON New York last month. Her Hawaii appearance is only her second outing since then, and she will perform next at KCON LA, running Aug. 15-18.
She had wanted to try skydiving on this trip, her fifth to Hawaii, but still doesn’t have the OK from her doctor for any extreme activity.
Meanwhile, Ashley Choi and Lee Sojung were here without Polaris Entertainment’s Ladies Code third member Zuny. They had lots of plans to enjoy the outdoors, try a lot of local food favorites such as shave ice and açaí bowls, as well as hit the bars.
On their first trip to Hawaii, they said that the view is something you can’t imagine in Korea and they love the blue sky and fresh air.
I have the uncanny knack for being in places like Shanghai and Seoul when the air is clear and skies are blue, so I have never witnessed the black smog and air pollution that has Seoul ranked near the bottom, out of 180 countries, for air quality in Yale University’s 2016 Environmental Performance Index.
During their rehearsal, Ladies Code was joined by two backup dancers to perform their current comeback hit “Feedback,” as well as one of their debut songs, “Bad Girl,” among others.
They said they would love to be invited back to perform next year, and I’m sure Hawaii K-pop fans would love to see them again.
Two weeks after the finale of “Produce X 101” I am still processing all that happened on the K-pop survival show.
Overall, I am happy about the final “audience-produced” lineup for X1, the group that emerged out of the competition that started with 101 male trainees, whittled down to the Top 10 plus the X-boy, the trainee outside the Top 10 who accumulated the most votes during the show’s 12-week run.
I’m surprised by how calm I was up until the finale. It’s not like “Treasure Box,” where I was appalled and in a state of anger all season long because of the way YG treated it’s top trainees, who should have received more respect.
This time around, I promised I would not become overly attached because it just leads to disappointment when my favorite trainees are ousted, and with 101 vying for 11 spots, disappointment was to be expected.
Fortunately, the ones I liked at the beginning of “Produce,” Kim Yo Han and Song Hyeong Jun, not only made it through the entire season but will debut with X1 on Aug. 27.
Yes there was upset along the way, like when Urban Works Kim Min Seo failed to crack the Top 60 because he was never given screen time. Even though he is very talented, I didn’t want to get attached because he is a little weird and I knew that the South Korean audience that was allowed to vote for the group members are not fond of behavior outside their norm. In Korean society, everyone must fall in line.
The biggest disappointment was the elimination of Lee Jin Hyuk, a talented rapper and dancer who had already debuted with fellow member Kim Woo Seok in Up10tion. He wasn’t originally one of my favorites because he initially seemed a little cold and arrogant. But as time passed, he was able to show leadership, plus the soft, playful and brighter side that earned him the nickname Baby Sun. Unfortunately, because the audience did not warm up to him until late in the season, he was not able to debut with X1, even after being in the Top 10 for the last few weeks.
👁 I made this vid because I was sad that Jin Hyuk didn’t make debut team. Click on the YouTube link at the end of the video for details about the EXO song “Don’t Go” that I used:
I really expected him to finish in third place as did many others who were heartbroken when he failed to place, and again when he failed to become the X boy, the trainee who had accumulated the most votes from throughout the season.
Another favorite of mine, Lee Eun Sang became the X boy. I had expected him to be in the Top 10 as well because he had finished there all season long. It’s just that in the last vote, when it mattered most, Lee Han Gyul and Cha Jun Ho came on strong, displacing others I thought were shoe-ins. Kang Min Hee also surprised people by finishing in 10th place when he had never been in the Top 10 before, but I totally expected him to debut. His star had been rising the previous three episodes. Even though he was not the most talented of his Starship family and has a way to go in developing that talent, he has the potential to be a star. His boyish looks and charm are sure to win fans over, and he does work hard to improve.
I really didn’t want Han Gyul or Jun Ho in the final lineup but I am OK with Jun Ho because even though he is devoid of presence, he has a beautiful voice.
But it still upsets me that Han Gyul is in the lineup because he is such a poor singer and when I look at the group now, I still hate that he’s there. I don’t even want to look at him because I feel that he took the spot that should have gone to Jin Hyuk, who would have been a perfect complement for this group in looks, talent and stage presence.
Through all this, I have to wonder if the audience is played into thinking they really had their say in the making of this group. Like, how is it that the producers put all their focus on Yo Han from the beginning, making us love him, and surprise, he finishes in the No. 1 spot, though he too has a way to go in becoming the perfect performer.
The more I study him, the more I feel that Yo Han is me. Don’t laugh, I really believe he is the quintessential everyman, someone who came in from outside the industry to rise to the top. He was a taekwondo champion who decided to try fulfill his childhood dream of becoming a K-pop idol. With only three months of music and dance training, he showed that he could compete with the best of them, including trainees that had already debuted and performed professionally for four years.
His was a Cinderella story, and everybody loves a Cinderella story, right? K-pop is full of them. In watching these trainees, I think everyone who dreams of a career on stage can feel that with dedicated practice, they can be standing there too. I am often shocked how poorly the trainees perform. I can sing better than 90 percent of them. I can’t dance, but in my advanced age I am trying to learn. I only dance two hours a week, but what if I danced 11 to 16 hours a day as they do? They make everything seem possible to every kid who wants to be on stage. I wonder whether this was MNET’s storyline from the start.
There was also focus on cute Hyeong Jun, and the person South Koreans considered most handsome, Kim Min Kyu. Whoever the cameras focused on became the top vote getters. Was this coincidence or contrived, as if producers were pointing a finger toward the desired outcome. I think most people expected Min Kyu to become the X boy, but he clearly needs a year or two of training to get up to par. I am so happy that Eun Sang got in. For once, talent won over visuals. Eun Sang is considered handsome as well, but not as much as Min Kyu. But Eun Sang has so much potential, at only 16, but able to hold his own against seasoned competition. He fit right in with sexy concepts, alongside trainees and debuted artists in their 20s.
My K-pop professor told our class not to believe anything we see because show business is an industry that relies on fantasy and manipulating audiences.
How was it that so many could not sleep and cried for weeks after Jin Hyuk lost? How did we end up caring so much for this person we didn’t initially support? Because I expected him to be in the Top 3, I was devastated to learn he would not debut, even though he wasn’t one of my biases in the show.
Some conspiracy theorists proceeded to take a look at the number of votes and found that the difference between many of the rankings was the same number 29,978 votes. That is so fishy and MNET refused to comment on the matter. In addition, the agencies involved all agreed they were satisfied with the outcome. But there may be a legal showdown coming, because Netizens are claiming fraud and are relentless when it comes to protecting the interest of their boys who may not have made it due to such manipulations. Stay tuned to this continuing story.
If deals were made behind closed doors, then the trainees are just pawns in the game. You could see from the looks on their faces, the elation and tears, that none knew what the outcome would be.
The trainees have since gone back to their lives. Fans are pushing to have a second group, Be Your Nine (BY9), comprising the top 12th to 20th finalists. That would be Jin Hyuk, Min Kyu, Keum Dong Hyun, Hwang Yun Seong, Koo Jung Mo, Ham Won Jin, Song Yu Vin, Tony and Lee Se Jin. Fans really want this to happen:https://www.instagram.com/p/B0usaL9FHw_/?utm_source=ig_web_copy_link
But I don’t think this will happen because Jin Hyuk is so popular he already has a number of commercial projects to consider, some have groups to return to, and the bigger agencies are able to debut their trainees with others in their companies. Jung Mo and Won Jin’s company Starship is rumored to have plans to debut a boy group early next year, and both are certain to be in the lineup if that happens.
Yet, fans continue to dream of what could be or could have been. As do I. That’s K-pop.
Hawaii is blessed with artistic and musical talent. Per capita, we have more people who make a living from the arts than in most states. I recently researched this for another article I was writing about the Hawaii State Art Museum and found Hawaii ranked No. 6 among states on the National Endowment for the Arts 2005 report—the only time the study was made—of artists per percentage of the population, at 84.1 artists per 10,000 people. Topped ranked New York has 101.1 artists per 10,000 people.
Part of it comes from living in a melting pot culture of people from all around the world. When at a loss for words, people who came together on the plantations and city of Honolulu in the late 1800s to early 1900s found they could communicate through song, dance and pictorial language.
With visionary leaders and training centers, I could imagine once having the opportunity for Hawaii music to reach the status of K-pop in the world. Well, we don’t have that, but we do have talented youths and inevitably, some would cross the ocean to make it in K-pop.
Following in the footsteps of Bekah Kim (After School) and Huening Kai (TXT), the latest K-pop star from Hawaii is Eson (Jason) a rapper, songwriter from Choon Entertainment’s We In The Zone. The group just released a mini debut album that includes the fun title song, “Let’s Get Loud.”
Eson is the group’s leader, joined by bandmates Joo An, (Im Ji Myoung), Min, Yoon Kyeong Hoon and Kim Shi Hyun, who was formerly part of “Produce 101” season 2 and Under Nineteen.
For every K-pop success story like BTS there are dozens of groups that never make it.
Even BTS had a rocky start, struggling for years in South Korea, as a hybrid rap-idol group that drew criticism from both sides, being considered too glossy to be taken seriously in the rap underground, yet too ugly to be idols.
Lucky for them they were from a small start-up agency, Big Hit Entertainment, that had little to fall back on, and whose founder/producer had a bigger vision of redefining what an idol could be. A larger agency might have cut its losses after one or two years without giving the group a chance to prove themselves and grow an audience.
The large number of groups that never make it suggest that for all the scouting and training the entertainment companies do, they are at the whim of a fickle public, so one template for band creation is to simply let the public decide. If the public votes members into a group, the assumption is they will form a loyal fanbase around that group.
You can watch this concept in action with the latest “Produce 101,” this time with an “X” attached to denote that mysterious X-factor that eludes producers and talent managers, but captures an audience’s heart. The series started airing on MNET four weeks ago but don’t worry if you have to play catchup. The process of whittling down the 101 candidates to 11 to create the next big boy band is a slow one.
It was much more manageable on “YG Treasure Box,” when 29 candidates from YG Entertainment’s Korea and Japan training centers competed for spots on what would eventually become the 13-member group Treasure, and sub-unit Magnum.
It was fairly easy to get to know all 29 Treasure competitors within the first episode. This time it’s much harder to get to know them because not all of them have been getting screen time. It’s only now that they just completed their first group performance covering famous K-pop bands that I am beginning to see their individual talent and potential.
Going into this, I knew I didn’t want to get overly invested in the candidates because I became super angry and agitated while watching “Treasure Box.” The sad part of these shows is that if you become attached to any of the trainees who don’t make it, you may never see them again. I didn’t want to feel that way again, but I was curious to see who is out there because past “Produce” shows have resulted in popular hit-making acts such as iZ*one and Wannaone.
Before the show even started airing, videos of all the competitors were placed online so that people could get to know the candidates and start picking their favorites, usually one or two. One of my friends went as far as picking his Top 10. I told him I would do the same, but after watching about six videos I realized that there was no way you could gauge their full talent. Some sang, some danced, and some just showcased their personalities; it wasn’t an even measure, so I stopped and waited for the season to begin.
I knew only three of the candidates going into the series because they were part of “YG Treasure Box.” One of them, Lee Mi Dam, left that competition and company because the pressure was too intense for him, so I was shocked to see him back for another survival show with even more competition than from within his agency, which he left to join the Aap.y agency. The other two are from Japan and Taiwan, respectively Hidaka Mahiro and Wang Jyun Hao. I think both are too green to go very far although Jyun Hao has the brightest smile and that counts for something.
In the beginning, the other competitors were intimidated by the YG, SM and JYP presence, but they quickly found the SM candidates came from their modeling agency and didn’t have much musical ability, and JYP’s candidate Yun Seo Bin was not only kicked off the show but kicked out of the agency when he was found to have been a bully in high school, a character flaw unforgivable to the South Korean viewers. I didn’t like the way he challenged Mi Dam for the No. 1 chair so wasn’t surprised by the bullying accusation.
I’m still not overly invested in the competitors the way I was with Choi Hyun Suk and Keita Terazono in “Treasure Box.” It’s not wise to do so because in the process, I found out that my international taste and the South Korean taste in visual and ability really differs. The South Koreans prefer a really doughy, soft look in their idols. I prefer sexy cute. And when it comes to their behavior, I don’t know what it is but the people I like turn out to be the ones that the Koreans really hate!
That being said, during episode four I finally took note of a couple of people who stood out. One is Kim Min Seo from the Urban Works agency (note there is another Kim Minseo in the show), who went blond for “Produce.” His voice is amazing, clear as a bell and as pretty as an angel’s. From certain angles, his look reminds me of BTS’s Kim Taehyung. I think it was probably a mistake for him to go blond; I think he would have more appeal to the Koreans with dark hair. But he would stand out to an international audience as a blond. At any rate, I think he is a one-of-a-kind talent, but I’m not sure he will get enough votes to win because his visuals are so different from what the Koreans would vote for.
The second one who stood out is Kim Yo Han, a taekwondo elite student who gave up a scholarship and career in the martial arts for a chance at idol stardom. He considers himself a singer, but is turning out to also be a pretty good rapper. He actually stood out in audition as well, but his dancing ability was questioned. What also got my attention is that he is a ringer for YG’s Ha Yoon Bin, who I am well familiar with because he was the one the Koreans wanted in place of my Choi Hyun Suk in Treasure (both made it).
Yo Han has the visuals that the South Korean fans love so I’m sure he’ll go far as long as he doesn’t mess up any performance.
👁 🎧 Watch: Kim Min Seo performs Nu’est’s “DejaVu” with his team
I will try to lock in my top 10 next week, although it’s just an exercise that doesn’t attempt to pick who will win. That would be a totally different list. I generally know my picks will be longshots because my international taste varies so much from the Korean point of view. But it’s fun to think what a band I would assemble would look like.
As for that 11th place in the show, it’s reserved for that person who might be overlooked by the judges throughout the season, but one who possesses that mysterious X-factor loved by the public. It’s the only way to explain how someone like Lee Eugene is already so popular with public voters, though he hasn’t shown any special skill. He is already recognized as an actor in South Korea, but has little talent for singing or dancing. Maybe the training they are getting will pay off. I don’t know whether voters really like him or are just familiar with his name.
The Koreans also love Jellyfish Entertainment’s Kim MinGyu because they think he is so handsome, but I don’t agree. On top of that, he has very little musical talent, but they are voting for him.
👁 🎧 Watch: Kim Yo Han performs NCT U’s “BOSS” with his team
The other 10 spaces will be decided by a mix of judges’ votes and viewer votes. New episodes air on MNET Friday nights (Thursdays in the United States).
👁 Watch: Kim Yo Han’s first ranking audition with judges
Top photo: Wannaone, top of page, was formed via “Produce 101.” The group had only a one-year contract under the show’s terms, and disbanded earlier this year.
The 11th anniversary of SHINee should be a joyous time, but being new to the K-pop and Shawol community, the two anniversaries since I came on board last year have been bittersweet occasions.
Last year, it was about marking the milestone 10th anniversary—forever for a K-pop group, many of whom struggle to debut or survive more than five years—without Jonghyun, who killed himself on Dec. 18, 2017. In spite of their mourning, the rest of SHINee—Onew (Lee Jin-ki), Choi Minho, Key (Kim Kibum) and Lee Taemin—came back strong, delivering a healing “Story of Light” trio of mini albums plus an Epilogue, which channeled their grief into several songs in memory of Jonghyun.
The strongest of these was “Our Page,” in which the members’ shared their thoughts and love for Jonghyun. The lyrics reflect their feelings about a relationship that continues until the last page of their story is written. In their words they sing:
“Can you feel it? We’re connected By our hearts that are transparent like invisible string When I stand again on the road we walked on together There are five overlapping hands, tears and memories It’s so clear, I don’t want to forget, I can’t forget. We are facing each other, we are still the same, we’re still the boys who are dreaming. The pretty words you left behind become a poem, become a song. Our voices are flying, we know it’ll reach you wherever you are. If a star vanishes, well everything be forgotten? I’m holding the precious you in my arms. I want to fill the pages of the story that isn’t over until the very end.”
I made a compilation video that features the song to share their origin, the hard-work ethic that have them practicing in all conditions so that they became considered the most stable live vocalists in K-pop, and their growth from green boys to men who command the stage. For Shawol, SHINee will always number five.
This year feels empty because Onew, Minho and Key have started their mandatory 21-month service with the South Korean military. Its leaves only the youngest, Taemin, on the outside to pursue his solo career while guarding and promoting SHINee’s legacy. One of my friends was in Japan recently and sent me a text saying SHINee was on television there. She’s not into K-pop, so didn’t know his name is Taemin because he was identified in captions only as SHINee.
SM Entertainment is marking the occasion with an exhibition, “SHINee Day — ‘You’re my word, my sentence, my entire language!’’ that went on view May 23 and will be up through June 2 at the SM Entertainment Celebrity Center in Seoul, at 423, Apgujeong-ro, Gangnam-gu. I’m not able to make it but I hope others will go if they have the chance.
👁 🎧 Watch: The debut stage
👁 🎧 Seven years later Jonghyun and Key became emotional singing this song
Skipped ahead to March 14, 2019, because I wanted to post this in honor of Xiumin, who danced a bit of Chung Ha’s “Gotta Go” as part of girl group dance medley to entertain fans during his “Xiuweetime” fanmeet May 4, prior to his May 7 departure for the South Korean military.
We danced this during beginner K-pop dance class. The video with Xiumin is followed by another segment featuring more of the dance.
This dance called for bringing out a little sexy, which is not really me. So this is part of the psychology of dance that I always talk about. It really calls for acting and embracing certain feelings, emotions and characteristics that one may not possess.
You have to will yourself to be sexy, strong, cute, whatever the dance calls for. Sometimes I’m really resistant, which makes it hard to perform well. I really hate cute dances because that’s so not me. I think of myself as a strong person and my preference is for strong male dances. When we do cute dances, everyone is always smiling, and I’m the only one who looks really grouchy and serious. I just cannot smile. So these dances really call for a strong will to overcome one’s prejudices and predilections, and embrace the choreography presented.
We spent an hour learning BTS’s “Idol” during our beginner K-pop dance class at Star Fitness Hawaii on Feb. 9, 2019. It is the most high-energy dance we’d done so far, and after dancing it at 100 percent about five times, we wanted to collapse.
Now I understand why I’ve seen BTS also collapse on the floor after performing nearly 4 minutes of this choreography. When I saw it happen I was wondering why they would be so exhausted after one dance because they often perform several of their dances in succession during live shows.
I have to admit it scared me to see them, especially Taehyung, breathing so hard when they are so young.
After doing this dance, I now know why. We only learned about 40 seconds, so would have only done 2-1/2 minutes of the dance at 100 percent and it is way more exhausting than we make it look. The song is nearly 4 minutes and they are dancing that whole time. It’s all the jumps that make it so exhausting.
BTS choreography is actually much easier than most K-pop dances. It’s not that they can’t do sharp moves, but they sacrifice detail for high energy that is exciting for people to watch and more engaging during a live performance. It also makes it much more fun to dance. An EXO dance, for instance, is so intricate that it’s hard for me, as a beginner, to escape into the mood or feeling of the song. Every second is spent thinking about the small technical details that make it more stressful than fun.
BTS made history April 13 as the first Korean group to perform on “Saturday Night Live” in its 44 years. It was a big night for both parties, and my feeling is that SNL needed them more.
After telling all my friends to watch the show for BTS, I actually fell asleep for about 15 minutes while waiting for them to appear. Part of it was the result of being in a food coma from having dinner at GEN Korean BBQ’s official grand opening Pearlridge Center. The other part was that the rest of the show hosted by Emma Stone was soooooo boring. It just reaffirmed why I stopped watching the show a year ago after discovering K-pop.
Here’s a quote from Bustle.com that echoes my sentiment:
“While an SNL performance is usually a big deal for musical artists, this episode marked the rare occasion that getting a particular musical guest seemed to actually be a big deal for SNL. It’s not every week that SNL ends up being the top trending topic in America, and the group’s presence seems to have brought a whole new audience to the show that may not usually stay up to watch live.”
😋: How I ate that sent me to sleep
I was able to catch the performance of “Mic Drop” but it’s an old one for them. I guess they chose to perform that song because it’s one they haven’t performed on any of their American award show appearances, and their last album, “Love Yourself: Answer’s” most powerful group song was “Idol,” which they’d performed a lot in this country. Much of the album was filled with solo songs from each member that help to give the group a rest from strenuous choreography during their live shows. While one is on stage, the others can take a breather.
I was able to catch their performance of “Boy With Luv” online after the show, and over two days probably watched it about 30 times. I loved seeing how happy and relaxed they were on stage. I loved seeing Taehyung’s (blue hair) smiles and expressions, and of course Jimin (orange hair) was as sexy as expected. They were all in such a good mood.
In a previous post I mentioned that I was really looking forward to hearing Halsey on the new BTS song. I have to admit I was a little disappointed by how small her vocal part was in the music video, but she does get a verse in the recording. I believe they downplayed her vocal because they don’t want audiences to get accustomed to hearing her voice and miss it when she’s not there during their concerts.
With 74.6 million views in one day, the MV for “Boy With Luv” broke the record for the biggest 24-hour debut, that was set by compatriots Black Pink just one week ago for “Kill This Love.” That video had 56.7 million views in 24 hours.
Although fans loved the colorful MV, they seemed to enjoy the SNL performance even more for the same reasons I did. It was trending at No. 2 on YouTube for two days, topped only by the new “Star Wars Episode 9” trailer.
April 15 is a miserable day anyway, the day in the United States when our income tax returns are due, and I ended up sending $8,500 away, just like that, blip, gone. It almost didn’t hurt that much when I was working a full-time job in the newsroom, but now that I’m free-lancing, it all feels like blood money.
It was extra miserable for me, as a fan of SHINee, the day that Choi Min-ho reported for service in the Korean Marine Corps. I knew this day was coming, and as the others left prior to him, first Onew (Lee Jin-ki) in December, and Key (Kim Ki-bum) in March, I just accepted it as part of life in South Korea, where men must enlist in the military, the latest at age 28.
But it hit me really hard when I woke up the previous morning to check my IG feed and saw the photos of Minho in the barber’s chair. It made me so sad to think this was the end of an era for Shawol, SHINee’s fandom who had grown up with the band over a decade. I couldn’t help thinking about all they had gone through in that crazy, whirlwind decade that whisked them from their small towns to stadiums around the globe.
I still cry when I think of them in the words they reference in their song, “Our Page,” as those green boys of May 2008, debuting into a world of unimaginable success, only to be touched by tragedy just before their 10th anniversary with Jonghyun’s suicide.
I only got to know them over the past year, learning about them only after the news of Jonghyun’s death. With YouTube, it was so easy to follow their career through variety and music shows. As Jonghyun once said of their relationship, SHINee started as a business but they became a family. He spoke of them as five strangers sharing a common destiny that they all thought would never come to an end. Moreso than many of the K-pop groups, they were funny, savage, but loving brothers. Today, only BTS seems to fit that template set by SHINee five years before them.
Korean military service generally lasts 21 months, so it will be about two years before we see their return. At that time, they will have four years remaining on the contract they renewed with SM Entertainment last year. What they plan to do is anyone’s guess. It’s often hard for K-pop groups to make a comeback after their military service because their fans move on. By then they will likely also be in their 30s, settled into careers and starting families. Younger music lovers seek out their contemporaries. Even before Onew left for the military, people were calling him “old man Jinki.” If senior citizens would like to think 50 is the new 30 in the United States, 30 is the new 60 in South Korea, which is even more ageist than America.
All this leaves one member, Taemin (Lee Tae-min), the youngest at 26 (25 in the United States) to carry on his solo career. It will be two more years before he needs to enlist, and although fans would have liked to see him go at the same time so that all of SHINee can come back sooner, I don’t think SM would have allowed him to go because he is one of the company’s money makers. As a dancer, too, he undoubtedly feels the pressure physically. In three years, he may not be able to execute moves as smoothly as he does now.
It makes me sad to think that as little as two years ago he was saying that it’s lonely to promote solo when he grew accustomed to sharing the stage with four others over nine years. As glamorous as their lives appear to outsiders, they live very lonely lives after being cast as pre-teens and made to live together for years. Because of busy schedules, they aren’t given much time to visit family or meet with friends so they become very isolated, with only each other for company. Taemin has said that since he was about 12, he never spent one Christmas with his family.
We must support him now. I’m sure he’ll do well. He’s very ambitious, but this maknae is no Seungri.
👁 🎧 SHINee appreciation over the years. ‘Replay’ was its first MV. Babies!😀 To men seven years later.
On Feb. 2, 2019, we danced the chorus of Black Pink’s “Ddu-Du Ddu-Du” during our beginner K-pop dance class. As I’m still catching up on the past after starting this dance blog, the timing is good in light of the quartet’s debut yesterday, April 12, at the Coachella music festival in Indio, Calif.
I’m happy about their reception in this country because back in September I said on Facebook that Black Pink is likely to be the next K-pop breakthrough act in America. Why? I said so because of racism in this country. It’s been the case in entertainment since the 1920s that this country has been willing to support only one major Asian-American star at a time because some non-Asians think we all look alike. So whenever an Asian role comes up, the chosen one typically gets cast over and over again, from Anna May Wong to Bruce Lee, Nancy Kwan up until today’s Margaret Cho and her successor Awkwafina.
In K-pop world, the band of the moment in this country is BTS, but because they’re men, there is room for an act people can recognize apart from that group of seven Koreans, that is, a group of women.
Black Pink is certainly deserving, and at that moment were arguably the hottest girl band in South Korea, prior to the arrival of Itzy.
👁 🎧 Black Pink’s music video
At any rate, “Ddu-Du Ddu-Du” is a really catchy song, and so is the dance created by American choreographer Kyle Hanagami, who is based in L.A.
Usually in class, we just dance in a line, but on this day we tried the moving formation. It was really fun, but Black Pink tends to be sexy and I am so not.
Dance calls for a lot of acting, but I grew up without movement, so it feels like an awkward lie.
Around this time I started thinking that there is so much more to dance than people realize. Non-dancers think of it as merely a physical act, but there’s a lot of psychology behind it, and just as there are sports psychologists who help athletes perform better, I feel as if I need a dance psychologist.
When I mention this to my dance instructors, they don’t really understand. They are instructors likely because they moved naturally and started dance lessons in early childhood, so they’re not likely to understand the trials of someone starting as an adult.
I would go as far as saying dance is 40 percent physical, and 60 percent mental, just because I am not a great mover, but can certainly follow along and pick up the choreography. Making it look good is still a problem, but my mental blocks are even harder to overcome.